Metaphysical ReconstructionsThere is a red barn in the forest, but no one can see it, is it still red? View fullsize Metaphysical Reconstruction II View fullsize Metaphysical Reconstruction X View fullsize Metaphysical Reconstruction IV View fullsize Metaphysical Reconstruction IX View fullsize Metaphysical Reconstruction XI View fullsize Metaphysical Reconstruction V View fullsize Metaphysical Reconstruction III View fullsize Metaphysical Reconstruction XII “Transparent and abstract images make it possible to see recognizable indications of the subject: a moving or motionless human figure, a face remindful of Čiurlionis or the Renaissance, a graphic ascetic drawing of veins of a leaf. Clouds, boughs, grass or a sunlit window. However, all subjects that can be distinguished and recognized are covered with delicate textures separating and dividing the image into many small fragments – each one deserving a separate meditation. This emphasis by the author on meditation space is not by accident: concentration, clarity of thought, inner peace – are the necessary assumptions to see and experience J. Gerlikaitė’s artwork. I do not say “to understand” as that is not entirely possible, neither is it necessary. The reconstructions of feelings and thoughts digitally transferred by the author to the canvas are intended for the creation of a mood, not for conveying information. To forming a metaphysical plane but not for telling stories. The specific and abstract levels cover each other – sometimes intertwining gently, sometimes separating for a moment – to perform an almost impossible mission: to reconstruct the metaphysical plane.” — Jurgita Ludavičienė, Art Critic. Literatūra ir menas, 2009 Metaphysical Reconstruction IV